I have always harbored a deep fascination with painting, driving me to explore various mediums and techniques to create something unique and innovative. Incorporating elements such as sound, touch, and taste alongside visual elements has allowed me to broaden my artistic horizons and perceive the world from different angles.

In my view, paintings or artistic creations can be abstract or ambiguous, challenging viewers to interpret them with their own perspectives and understanding. For instance, in my series "It's Easy to Draw Ghosts," I experimented with monoprints to craft a set of illustrations. Similarly, in "Psycho Killer," I merged the drawing styles of American and Japanese comics to create a series of album covers.

In my latest work, "Imagination," I explored fluid painting techniques, using irregular and random shapes as a foundation for combining them with artificial drawing processes. This fusion blurs the line between abstract and figurative art, encouraging viewers to contemplate various interpretations and meanings.

Imagination, possibility, and uncontrollability are omnipresent in the world, offering endless avenues for exploration. By embracing randomness and spontaneity in my creative process, I aim to provide viewers with fresh perspectives and insights into the world around them.


我一直以来对绘画都有极大的兴趣，所以我一直希望去尝试不同的绘画媒介来创作一些不一样的作品，或者把它们结合在一起从而孕育出一些独特的东西。声音、触感、味觉等等，我尝试通过不同的绘画方式不同的绘画材料去表现它们，换一种或者多种角度观察和认识这个世界。我认为绘画的对象或者绘画作品可以是模糊或抽象的，某种程度也可以启发观赏者去挑战作品的认知。作品《想象力》我在流体画的基础上对其进行二次创作，通过对流体画不规则的图形进行人为想象用插画让其变得稍微具象，但是又能让观看者主观不一定认同，对其会有别样的想法想象。想象力、可能性、不可控性，它们都是无穷的必然的存在于这个世界上，通过对它们的随机混合最后所得到的结果一定会让你对这个世界有新的看法。