Ensuring that the wearing process becomes an integral part of the design, I prioritise the interactivity of my creations. In Fantasy of the Toy Plane, I reimagined the joy of playing with toy planes by incorporating mechanical structures into discarded toys. Elements of the sky and clouds were added to evoke a whimsical atmosphere. When worn, the wearer can interact with my work, reminiscent of a child playing with toys. Through this process, the toy planes are imbued with new life, responding to the wearer’s movements.

In the project Remodeling Minerals, inspired by my personal interest in crystals and minerals, I transform readily available industrial materials into mineral-like forms. This prompts reflection on the worthiness of mining minerals for mass production of industrial goods. Leveraging my knowledge of minerals and crystals, I adeptly reshape their forms using alternative materials.


我在创作中很注重作品的互动性，在设计每一件作品时我都会考虑佩戴过程是否能成为作品的一部分。

在作品《玩具小飞机的幻想》中，我根据小朋友玩飞机玩具的动作以及飞机飞行的形态设计机械结构对废弃的玩具进行改造，并加入了一些天空和云朵元素展现童话般的场景。当首饰被佩戴时，佩戴者可以像孩童玩玩具一样与我的作品互动。这一过程中，这些玩具小飞机将会被重新赋予生命。 在《再造矿石》的主题来源于我的个人收集矿石晶体的爱好。我将生活中随手可得的工业品作为材料重塑成矿石的样子。通过对天然矿石的观察，用不同材料模拟矿石中不同的晶体结构，并通过对材料的塑形和组合构建体块感，尽可能让人无法辨识作品的原始材料。从而呼吁人们反思大肆开采矿石制造廉价工业品是否值得。。